
Book .Hs-A ^ t 



FAZIO; 

Or, THE ITALIAN WIFE. 

A TRAGEDY, ^ 7 '^ 

"1./ ^%^ 

IN FIVE ACTS. ^ ' ' 



H, H. MILMAX, B. A. 

FELLOW OF ERASE N NOSE COLLEGE. 



BALTIMORE: f 

J. ROBINSON. CIRCULATING LIBRARY 
No. 2, North Calvert street. 

1833. 






ib-jn^' 



ADVERTISEMENT. 



The play is founded on a story, rvhich was quoted 
in the Annual Register for 1795, from the ** Varie- 
ties of Literature ;'* but great liberties have been 
taken with it« 



6 FAZIO. [Milman. 

Beyond two years. 

Faz. Days, days, Bianca! love 
Hath in its calendar no tedious time, 
So long as what cold lifeless souls call years. 
Oh, with my books, my sage philosophy, ' - 
My infants, and their mother, time slides on 
So smoothly, as twere fall'n asleep, forgetting 
Its heaven ordained motion. We are poor; 
But in the wealth of love, in that, Bianca,, 
In that we are eastern sultans. I have thought, 
If that my wondrous alchymy should win 
That precious liquor, whose transmuting dew 
Makes the black iron start forth brilliant gold. 
Were it not wise to cast it back again 
Into its native darkness ? 

Bian. Out upon it! 
Oh, leave it there, my Fazio! leave it there! 
I hate it! 'tis my rival, 'tis thy mistress. 
Ay, this it is that makes thee strange and restless, 
A truant to thine own Bianca's arms. 
This wondrous secret. 

Faz. Dost thou know, Bianca, 
Our neighbor, old Bartolo ? 

Bian. O yes, yes — 
That yellow wretch, that looks as he were stain'd 
With watching his own gold; every one knows him 
Enough to loathe him. Not a friend hath he. 
Nor kindred nor familiar ; not a slave. 
Not a lean serving wench : nothing e'er enter'd 
But his spare self within his jealous doors. 
Except a wand'ring rat ; and that they say, 
Was famine-struck, and died there. What of him? 

Faz. * Yet he, Bianca, he is of our rich ones. 

* There's not a galliot on the sea, but bears 

* A venture of Bartolo's; not an acre, 

* Nay not a villa of our proudest princes, 

* But he hath cramp'd it with a mortgage ; he, 

* He only stocks our prisons with his debtors.'' 

I saw him creeping home last night ; he shudder'd 
As he unlock'd his door, and Jook'd around. 



Act I.] FAZIO. r 

As if he thought that ev'ry breath of wind. 

Were some keen thief; and when he lock'd him in, 

I heard the grating key turn twenty times, 

To try if all were safe. I look'd again 

From our high window by mere chance, and saw 

The motion of his scanty moping lantern ; 

And, where his wind-rent lattice was ill stuff 'd 

Willi tatter'd remnants of a money bag, 

Through cobwebs and thick Just I spied his face, 

Like some dry wither-boned anatomy, 

Through a huge chest lid, jealously and scantily 

Uplifted, peering upon coin and jewels, 

Ingots and wedges, and broad bars of gold. 

Upon whose lustre the wan light shone muddily, 

* As though the new world had outrun the Spaniard, 

' And emptied all its mines in that coarse hovel.' 

His ferret eyes gloated as wanton o'er them. 

As a gross satyr on a sleeping nymph ; 

And then, as he heard something like a sound, 

He clapp'd the lid to, and blew out the lantern. 

But I, Bianci, hurried to thy arms. 

And thank'd my god that I had braver riches. 

Bian. Oh then, let that black furnace burst : dash 
down 
Those ugly and mishapen jars and vials. 
Nay, nay, most sage philosopher, to-night, 
At least to-night, be only thy Bianca's. 

{She clings to him.) 

Fax. {looking fondly at her.) Why e'en the prince 
of bards was false and slanderous. 
Who girt Jove's bride in that voluptuous zone. 
Ere she could win her weary lord to love ; 
While my earth-born Bianca bears by nature 
An ever blooming cxstas of delight ! 

Bian. So courtly and so fanciful, my Fazio! 
Which of our dukes hath lent thee his cast posies > 
Why, such a musical and learned phrase 
Had soften'd the Marchesa Aldabella, 
That high signora, that once pamper'd thee 
Almost to madness with her rosy smiles ; 



8 FAZIO. [Milman. 

And then my lady queen put on her winter. 
And froze thee till thou wert a very icicle, 
Had not the lowly and dispised Bianca 
Shone on it with the summer of her pity. 

Faz. Nay, taunt not her, Bianca, taunt not her! 
Thy Fazio loved her once. ' Who, who would blame 

* Heaven's moon, because a maniac hath adored it, 

* And died in his dotage? e'en a saint might wear 

* Proud Aldabella's scorn, nor look less heavenly, 

* Oh, it dropt balm upon the wounds it gave, 

* The soul was pleased to be so sweetly wrong'd, 

* And misery grew rapturous.' Aldabella! 
The gracious! the melodious! oh, the words 
Laugh'd on her lips ; the motion of her smiles 
Shower'd beauty, as the air-caressed spray 
The dews of morning ; and her stately steps 
Were light as though a winged angel trod 
Over earth's flowers, and fear'd to brush away 
Their delicate hues ; * ay, e'en her very robes 

* Were animate and breathing, as they felt 
*The presence of her loveliness, spread around 

* Their thin and gauzy CiOuds, ministering freely 

* Officious duty on the shrine where nature 

* Hath lavish'd all her skill." 

Bian. A proud loose wanton! 

Faz. She wanton! Aldabella loose! then, then 
Are the pure lilies black as soot within. 
The stainless virgin snow is hot and rancid, 

And chastity ay, it may be in heaven. 

But ail beneath the moon is wild and haggard. 

* If she be spotted, oh, unholiness 

* Hath never been so delicately lodged 

* Since that bad devil walk'd fair paradise.' 

Bian. Already silent? hath your idol quafTd 
Enough of your soft incense? Fazio! Fazio! 
But that her gaudy bark would aye disdain 
The quiet stream whereon we glide so smooth, 
I should be fearful of ye. 

Faz. Nay, unjust! 
Ungenerous Bianca! * who foregoes, 



Act I.] FAZIO. 9 

' For the gay revel of a golden harp, 

* Its ecslacies and rich enchanting falls,* 

His own domestic lute's familiar pleasing? 

But thou, thou vain and wanton in thy power. 

Thou know'st canst make e'en jealousy look lovely. 

And all thy punishment for that bad passion 

Be this — {kisses hei^) good night ! I will but snatch 

a look 
How the great crucible doth its slow work. 
And be with thee ; unless thou fanciest, sweet, 
That Aldabella lurks behind the furnace ; 
And then, heaven knows how long I may be truant. 

[^ExU Bianca. 
Faz. (solus.) Oh what a star of the first magni- 
tude 
Were poor young Fazio, if his skill should work 
The wondrous secret your deep closetted sages 
Grow grey in dreaming of! why all our Florence 
Would be' too narrow for his branching glories ; 
It would o'erleap the Alps, and all the north 
Troop here to see the great philosopher. 
He would be wealthy too — wealthy in fame ; 
And that's more golden than the richest gold. 

C A groan nvithout.) 
Holy St Francis ! what a groan was there ! 

Bartolo. (ivithout.) Within there! oh! within 
there, neighbour! death. 
Murder, and merciless robbery ! 

(Fazio ofiens the door.) 

Enter Bartolo. 

What! Bartolo! 

Bar. Thank ye, my friend! ha, ha, ha! my old- 
limbs ! 
I did not think them half so tough and sinewy. 
St. Dominic ! but their pins prick'd close and keen. 
Six of 'em, strong and sturdy, with their daggers. 
Tickling the old man to let loose his ducats. 

Faz, Who, neighbour, who ? 

Bar. Robbers, black crape-faced robbers. 



10 FAZIO. LMilman 

Your only blood-suckers, that drain your veins. 
And yet their meagre bodies aye grow sparer. 
They knew that I had monies fronj the duke 
But I o'erreach'd them, neighbor : not a ducat, 
Nay, not a doit, to cross themselves withal, 
Got they from old Bartolo. Oh, I bleed. 
And my old heart beats minutes like a clock. 

Faz. A surgeon, friend ! 

Bar. Ay, one of your kind butchers. 
Who cut and slash your flesh for their own pastime. 
And then, God bless the mark! they must have 

money ! 
Gold, gold, or nothing ! silver is grown coarse. 
And rings unhandsomely. Have I scaped robbing. 

Only to give? oh there ! there] there! cold, cold. 

Cold as December. 

Faz. Nay, then, a confessor! 

Bar. A confessor! one of your black smooth talkers. 
That drone the name of God incessantly. 
Like the drear burthen of a doleful ballad! 
That sing to one of bounteous codicils 
To the franciscans or some hospital! 
Oh! there's a shooting! oozing here! aye me! 
My ducats and my ingots scarcely cold 
From the hot Indies ! oh ! and I forgot 
To seal those jewels from the Milan duke ! 
Oh ! misery, misery ! just this very day, 
And that mad spendthrift, Angelo, hath not sign'd 
The mortgage on those meadows by the Arno. 
Oh ! misery, misery ! yet I 'scaped them bravely, 
And brought my ducats off! {dies.) 

Faz. Why e'en lie there, as foul a mass of earth 
As ever loaded it. * 'Twcre sin to charity 

* To wring one drop of brine upon thy corpse. 

* In sooth, death's not nice stomach'd to be cramm'd 

* With such unsavoury offal.' What a god 
'Mong men might this dead wither'd thing have 

been, 
That now must rot beneath the earth, as once 
He rotted on it ! why his wealth had won 



Act I.] FAZIO. 11 

In better hands an atmosphere around him 
Musical ever with the voice of blessing, 

* Nations around his tomb, like marble mourners, 

* Vied for their pedestals.' In better hands ? 
Methinks these fingers are not coarse nor clumsy. 
Philosophy! philosophy! thou'rt lame 

[ And tortoised-paced to my fleet desires ? 
I scent a shorter path to fame and riches. 

* The hesperian trees nod their rich clusters at me. 

* Tickling my timorous and withdrawing grasp;' 

I would, yet dare not: that's a coward's reckoning. 
I Half of the sin lies in " I would." To-morrow 
' If that it find me poor, will write me fool, 
[ * And myself be a mock unto myself. 

*Ay, and the body murder'd in my house! 
I: * Your carrion breeds most strange and loathsome in- 
|I ' sects — 

'Suspicion's of the quickest and the keenest — * 
' So, neighbour, by your leave, your keys! in sooth, 
I *Thou hadst no desperate love for holy church; 
' *Long-knolled bell were no sweet music to thee, 
j *A "God be with thee" shall be all thy mass; 

•Thou never lovedst those dry and droning priests. 

* Thou'lt rot most cool and quiet in my garden;' 
Your gay and gilded vault would be too costly. 

' \_ExU with the body of BartolO' 

Scene II— »/4 Street. 

Enter Fazio, with a dark lantern. 

Faz, I, wont to roam like a tame household dog, 
Caress'd by every hand, and fearing none, 
Now prowl e'en like a gray and treasonous wolf. 
'Tis a bad deed to rob, and I'll have none on't; 
'Tis a bad deed to rob — and whom ? the dead i 
Ay, of their winding-sheets and coffin nails. 

* 'Tis but a quit-rent for the land I sold him, 

* Almost two yards to house him and his worms : 

* Somewhat usurious in the main, but that 

* Is honest thrift to your keen usurer.' 



12 FAZIO. [Milman. 

Had he a kinsman, nay, a friend, 'twere devilish. 

But now whom rob I ? why the state — 

Marvellous little owe I this same state, 

That I should be so dainty of its welfare. 

Methinks our duke hath pomp enough; our senate 

Sit in their scarlet robes and ermine tippets, 

And live in proud and pillar'd palaces. 

Where tlieir Greek wines flow plentiful — besides, 

To scatter it abroad amid so many, 

It were to cut the sun out into spangles, 

And mar its brilliance by dispersing it. 

Away ! away ! his burying is my rubicon ! 

Cassar or nothing! now, ye close-lock'd treasures, 

Put on your gaudiest hues, outshine yourselves ! 

With a deliverer's, not a tyrant's hand 

Invade I thus your dull and peaceful slumbers. 

And give ye light and liberty. Ye shall not 

Moulder and rust in pale and pitiful darkness, 

But front the sun with light bright as his own. [Exit 

Scene III — The Street, near Fazio's Door. 
Re-enter Fazio, ivith a sack^ he rests it. 
* Faz. My steps were ever to this door, as though 
•They trod on beds of perfume and of down. 

* The winged birds were not by half so light, 

* When thorough the lazy twilight air they wheel 

* Home to their brooding mates. But now, methinks 

* The heavy earth doth cling around my feet. 

* I move as every separate limb was gyved 

* With its particular weight of manacle. 

* The moonlight that was wont to seem so soft, 

* So balmy to the slow respired breath, 

* Icily, shiveringly cold falls on me 

* The marble pillars that soared stately up, 

* As though to prop the azure vault of heaven, 

* Hang o'er me with a dull and dizzy weight. 

* The stones whereon I tread do grimly speak, 
'Forbidden echoes, aye, with human voices, 

* Unbodied arms pluck at me as I pass, 



Act I.] FAZIO. 13 

* Atid soeketless pale eyes look glaring on me. 

* But I have passed them : and methinks this weight 

* Might strain more sturdy sinews than mine own. 
*Howbeity thank God, 'tis safe! thank God! — for 

what? 

* That a poor honest man's grown a rich villain. 

Scene IV — Fazio^s House, 

Enter Fazio, ivith his sack, nvhich he ofieuB and 
surveys. 

Faz, I thank ye, bounteous thieves! most liberal 
thieves! 
Your daggers are my -svorship. Have ye leap'd 
The broad and sharp-stak'd trenches of the law, 
Mock'd at the deep damnation that attaints 
The souls of murderers, for my hands unbloodied, 

* As delicately, purely white as ever,' 

To pluck the golden fruitage ? oh, I thank ye, 
Will chronicle ye, my good friends and true. 
Enter Bianca — Fazio conceals the treasure. 

Bian. Nay, Fazio, nay: this is too much: nay, 
Fazio, 
I'll not be humor'd like a froward child. 
Trick'd into sleep with pretty tuneful tales. 

Faz. We feast the duke to-morrow : shall it be 
In the Adorni or Vitelli palace ? 
They're both on sale, and each is fair and lofty. 

Bian. Why, Fazio, art thou frantic? nay, look not 
So strangely, so unmeaningly. I had rather 
That thou would'st weep, than look so haggard joy- 
ful. 

Faz. Ay, and a glorious banquet it shall be : 
Gay servants in as proud caparisons, 
As though they serv'd immortal gods with nectar. 
Ay, ay, Bianca ! there shall be a princess ; 
She shall be lady of the feast. Let's see 
2 



14 FAZIO. [Milman. 

Your gold and crimson for your fair-hair'd beauties : 

It shall be gold and crimson. Dost thou know 

The princess that I mean ? dost thou, Bianca? 
Bian. Nay, if thou still wilt flout me, I'll not 
weep: 

Thou shalt not have the pitiful bad pleasure 

Of wringing me to misery. I'll be cold 

And patient as a statue of my wrongs. 
Faz. I have just thought, Bianca, these black 
stills 

An ugly and ill-fitting furniture : 

We'll try an they are brittle, (dashing them in fiic 
cesyj I'll have gilding. 

Nothing but gilding, nothing but what looks glitter- 
ing: 

I'm sick of black and dingy darkness. Here, f wn- 
covering the sack, J 

Look here, Bianca, here's a light ! take care : 

Thine eyesight is too weak for such a blaze. 

It is not daylight : nay, it is not morn — 

And every one is worth a thousand florins. 

* Who shall be princess of the feast to-morrow ?' 

C She bursts into tears.) 

Within, within, I'll tell the all within. [^Exeunt, 

END OF TUB FIRST ACT. 



ACT II. 

Scene I — A Hall in the fialace of Fazio. 
Falsetto, Dandolo, VaiLARiOf and a Gentleman, 

Fal, Serve ye lord Fazio i* 

Gent. Ay, sir, he honors me 
With his commands, 

Fal. 'Tis a brave gentleman ! 
Tell him signior Falsetto, and Philario, 
The most renowned improvisatore, 
* And signior Dandolo, the court fashionist,' 
Present their duty to him. 

Gent, hYf good sirs. 



Act II.] FAZIO. IS 

(aside.) My master hath a Midas touch ; these fel- 
lows 
Will try if he hath ears like that great king. \_Exit. 

Enter Fazio, sfilendidly dressed. 
Fal. Most noble Lord, most wonderful philoso- 
pher ! 
We come to thank thee, sir, that thou dost honor 
Our Florence with the sunlight of your fame. 
Thou that hast ravish'd nature of a secret 
That maketh thee her very paragon : 

• She can but create gold, and so canst thou : 

• But she doth bury it in mire and mirk, 
'Within the unsunn'd bowels of the earth: 
•But thou dost set it on the face of the world, 
'Making it shame its old and sullen darkness.* 

Faz. Fair sir, this cataract of courtesy 
O'erwhelms my weak and unhabituate ears. 
It I may venture such uncivil ignorance, 
Your quality? 

Fal. I, my good lord, am one 
Have such keen eyesight for my neighbor's virtues. 
And such a doting love for excellence, 
That when I see a wise man, or a noble, 
Or wealthy, as I ever hold in pity 
Man should be blind to his own merits, words 
Slide from my lips; and I do mirror him 
In the clear glass of my poor eloquence. 

Faz. In coarse and honest phraseology 
A flatterer. 

Fal. Flatterer ! nay, the world's grown gross. 
An apt discourscr upon things of honor, 
Professor of art panegyrical. 

• 'Twere ill were I a hawk to see such bravery, 
•And not a thrush to sing of it. Wealth, sir, 

• Wealth is the robe and outward garb of man, 
*The setting to the rarer jewelry, 

•The soul's unseen and inner qualities. 
•And then, my lord, philosophy! 'tis that, 
'The stamp and impress of our divine nature, 



16 FAZIO. [Milman. 

* By which we know that we are gods, and are so, 

* But wealth and wisdom in one spacious breast ! 

* Who would not hymn so rare and rich a wedding, 
•Who would not serve within the gorgeous palace? 

* Glorified by such strange and admired inmates?' 

Faz. (aside.) Now the poor honest Fazio had 
disdain'd 

Such scurvy fellowship ; howbeit, lord Fazio 

Must lacquey his new state with these base jackalls. 

(io him.) Fair sir, you'll honor me with your com- 
pany. 

(to Dandoh.) May I make bold, sir, with your 
state and title ? 

* Dan. Oh, my lord, by the falling of your robe, 
*Your cloth of gold one whole hair's-breadlh too 

low, 

* *Tis manifest you know not signior Dandolo. 

* Faz. A pitiable lack of knowledge, sir. 

* Dan. My lord, thou hast before thee in thy pre- 

' sence 

* The mirror of the court, the very calendar 

* That rules the swift revolving round of fashion ; 

* Doth tell what hues do suit what height o' the sun; 

* When lyour spring pinks should banish from the 

* court 

* Your sober winter browns : when July heat 

* Doth authorize the gay and flaunting yellows; 
*The court thermometer, that doth command 
'Your three-piled velvet abdicate its state 

* For the airy sattins. Oh, my lord, you are too late, 

* At least three days, with your Venitian tissue. 

*Faz. I sorrow, sir, to merit your rebuke 
*On point so weighty. 

* Dan, Ay, signior, I'm paramount 

* In all affairs of boot, and spur, and hose ; 
' In matters of the robe and cap supreme ; 

* In ruff disputes, my lord, there's no appeal, 
' From my irrefragability. 

* Faz. Sweet sir, 

* I fear me, such despotic rule and sway 



Act II.] FAZIO. 17 

* Over the persons of our citizens 

* Must be of clanger to our state of Florence. 

* Ban. Good sooth, my lord, I am a very tyrant. 

* Why, if a senator should presume to wear 

* A cloak of fur in June, I should indict him 

* Guilty of leze majcste against my kingship : 

* They call me Dandolo, the king of fashions — 

* The whole empire of dress is my dominion. 

* Why, if our duke should wear an ill-grain'd color 

* Against my positive enactment, though 

* His state might shield him from the palpable 

* shame 

•Of a rebuke: yet, my good lord, opinion, 

* Public opinion, would hold signior Dandolo 

* Merciful in his silence. 

* Faz. A Lycurgus. 

* Dan. Good, my lord! dignity must be upheld 

* On the strong pillars of severity. 

•Your cap, my lord, a little to the north-east, 
*And your sword — thus, my lord — pointed out this 

* way, C adjusting him,) 
•In an iquilateral triangle. Nay, 

•Kay, on my credit, my good lord, this hose 
•Is a fair woof. The ladies, sir, the ladies, 

* For I foresee you'll be a ruling planet, 

* Must not be taught any heretical fancies, 
•Fantastical infringements of my codes — 

•Your lordship must give place to signior Dandolo 

* About their persons. 

* Faz. Gentle sir, the ladies 
•Must be too deeply irresistibly yours. 

^ Dan. No, signior, no; I'm not one of the gal- 
lants, 

* That pine for a fair lip, or eye, or cheek, 
•Or tliat poetical treasure, a true heart. 

* But, my lord, a fair-ordered head-dress makes me 

* As love sick, as a dove at mating time : 

* A tasteful slipper is my soul's delight ; 

* Oh, I adore a robe that drops and floats 

2* 



18 FAZIO. [Milman. 

* As it were lighter than the air around it ; 

* 1 doat upon a stomacher to distraction, 
•When the gay jewels, gracefully disposed, 

* Make it a zone of stars ; and then a fan, 

* The elegant motion of a fan, is murder, 

* Positive murder to my poor weak, senses.* 

Faz. (turning to Philario,) But here's a third: 
the improvisHtore, 
Gentle Philario lurks, methinks, behind. 

Phil. Most noble lord ! it were his loftiest boast 
To wed your honors to his harp. To hymn 
The finder of the philosophic stone, 
The sovereign prince of alchymists ; 'twould make 
The cold verse mechanists, the nice balancer 
Of curious words and fair compacted phrases, 
Burst to a liquid and melodious flow. 
Rapturous and ravishing but in praise of thee! 
But I, my lord, that have the fluent vein, 
The rapid rush 

Faz. Fie, sir ! O fie! 'tis fulsome. 
Sir, there's a soil fit for that rank weed flattery 
To trail its poisonous and obscene clusters: 
A poet's soul should bear a richer fruitage — 
The aconite grew not in Eden. Thou, 
That thou, with lips tipt with the fire of heaven, 
Th'excurslve eye, that in its earth-wide range 
Drinks in the grandeur and the loveliness. 
That breathes along this high-v/rought world of 

man; 
That hast within thee apprehensions strong 
Of all that's pure and passionless and heavenly — 
That thou, a vapid and a maivkish parasite, 
Should'st pipe to that which fortune's favorites! 
'Tis coarse — 'tis sickly — 'tis as though the eagle 
Should spread his sail-broad wings to flap a dung- 
hill ; 
As though a pale and withering pestilence 
Should ride the golden chariot of the sun ; 
As one should use the language of the gods , 
To chatter loose and ribald brothelry. 



Act 11.3 . FAZIO. 19 

* Phil. My lord, I thank thee for that noble chid- 
ing; 

* Oh, my lord, 'tis the curse and brand of poesy, 

* That it must trim its fetterless free plumes 

' To the gross fancies of the humorsome age ; 

* That it must stoop from its bold heights to court 

* Liquorish opinion, whose aye wavering breath 

* Is to it as the precious air of life. 

* Oh, in a capering, chambering, wanton land, 

* The lozel's song alone gains audience, 
•Fine, loving ditties, sweet to sickliness; 

* The languishing and luscious touch alone 

* Of all the full harp's ecstacies, can detain 

* The palled and pampered ear of Italy. 

* But, my lord, we have deeper mysteries 

* For the initiate hark ! it bursts ! it flows ? 

'SONG— ruiLARio. 
Rich and royal Italy ! 

Dominion's lofty bride ! 

Earth decm'd no loss of pride 
To be enslaved by thee. 
From bioad Euphrates' bank, 

When the sun look'd thro' the gloora. 

Thy eagle's golden plume 
His orient splendor drank ; 
And when at eve he set 

Far in the chamber'd west, 
That bird of brilliance yet 

Bathed in his gorgeous rest. 

Sad and sunken Italy ! 

The plunderer's common prey ! 

When saw the eye of day. 
So very a slave as thee ? 
Long, long a bloody stage 

For petty kinglings tame, 

Their miserable game 
Of puny war to wage. 
Or from the northern star 

Come haughty despots down, 
With iron hand to share 

Tliv bruised and broken crown. 



20 FAZIO; [Milman. 

Fair and fervid Italy ! 

Lady of each gentler art, 

Yet couldst thou lead the heart 
In mild captivity, 
Warm Raphael's virgin si>rung 

'I'o worshi[» and to love, 

The enamour'd air above 
Rich clouds of music hung. 
Thy poets bold and free 

Did noble wrong to time, 
In their high rhymed majesty 

Ravishing thy clime. 

Loose and languid Italy ! 

Where now the magic power, 

'i'hat in thy doleful hour 
Made a queen of thee i" 
The pencil cold and dead, 

Whose lightest touch was life ; 

The old immortal strife 
Of thy high poets fled. 
From her inglorious urn 

Will Italy "arise? 
Will golden days return 

'Neaih the azure of her skies ? 

This is done, oh, this is done, 

When the broken laud is one ; 

This shall be, oh, this shall be, 

When the slavish land is free. [Exermt. 

Scene II. — The }iublic ivalks of Florence. 

Fazio, Falsetto, Dandolo, and Piiilario. 

Fal. Yonder,- my lord, is the lady Aldabella, 
The star ofadmifation to all Florence 

* Dan. There, my lord, there is a fair drooping 
robe — 
* Would that I were a breath of wind to float it !* 

Faz. Gentlemen, by your leave I would salute her. 
You'll meet me anon in the piazza. 

[^Exeunt all but Fazio. 
Now, lofty woman, we are equal now, 
And 1 will front thee in thy pitch of pride. 



Act II.] FAZIO, 21 

Enter Aldabella — she sfieaks after a salutation on 
each side. 
Aid. Oh, thou and I, sir, when we met of old, 
Were not so distant, nor so chill. My lord — 
I had forgot my lord. You dawning signiors 
Are jealous of your state ; 'you great philosophers 

* Walk not on earth ; and we poor grovelling beings 

* If we would win your eminent regards, 

* Must meet you i' the air.' Oh, it siis well 
This scorn, it looks so grave and reverend. 

Faz. Is scorn in lady Aldabella's creed 
So monstrous and heretical i* 

Aid. Again, 
Treason again, a most irreverent laugh, 

* A traitorons jest before so learn'd a sage :' 
But I may joy in thy good fortune, Fazio. 

Faz. In sooth, good fortune, if 'tis worth thy joy, 
The haughty lady Aldabella's joy. 

Aid. Nay, an thou hadst not dash'd so careless off 
My bounteous offering, I had said 

Faz. What, lady? 

Aid. Oh nought — mere sound — mere air — thou'rt 
married, Fazio : 
And is thy bride a jewel of the first water ? 
I know thou wilt say ay ; 'tis an old tale, 
Thy fond lip revel on a lady's beauties, 

* Methinks I've heard thee descant upon loveliness, 

* Till the full ears were drunken with sweet sounds.* 
But never let me see her, Fazio, never. 

Faz, And why not, lady ? she is exquisite 
Bashfully, humbly exquisite ; yet Florence 
May be as proud of her, as of the richest. 
That fire her with the lustre of their state. 
And why not, lady ? 

Aid. Why ! I know not why, 
Oh your Philosophy, 'tis ever curious ; 
Poor lady nature must tell all, and clearly. 
To its inquisitorship. We'll not think on't ; 
It fell from me un'wares; words will start forth, 



22 FAZIO. [Milman. 

When the mind wanders. Oh no, not because 
She's merely lovely ; but we'll think no more on't. 

* Didst hear the act •* 

* Faz. Lady, what act? 
' Jld The act 

* Of the great duke of Florence and his senate, 

* Entitled against turtle doves in poesy. 

* Henceforth that useful bird is interdict, 

* As the mild emblem of true constancy, 

* There's anew word found; 'tis pure Tuscan too ; 

* Fazio's to fill the blank up, if it chime ; 

* If not, heaven help the rhymester.' 

Faz. {afiart.) With what an airy and a sparkling 
grace 
The language glances from her silken lips! 
Her once loved voice how exquisite it sounds. 
E'en like a gentle music heard in childhood ! 

^ Aid. Why yes, my lord, in these degenerate 
days 

* Constancy is so rare a virtue, angels 

*Come down to gaze on't: it makes the world proud. 

* Who would be one o' the many? why, our Florence 

* Will blaze with the miracle. 'Tis true, 'tis true, 

* The odour of the rose grows faint and sickly, 

* And joys are finest by comparison. 

* But what is that to the majestic pride 

* Of being the sole true phenix } 

* Faz. Gentle lady, 

* Thou speak'st as if that smooth word constancy 

* Were harsh and brassy sounding in thy ears. 

* Aid. No, no, signior; your good old-fangled vir- 

tues 

* Have gloss enough for me, had it been my lot 

* To be a miser's treasure : if his eyes 

* Ne'er open'd but on me, I ne'er had wept 

* At such a pleasant faithful avarice. 

* Faz. Ladv, there was a time when I did dream 

* Of playing the miser to another treasure, 

* One not less precious than thy stately self.' 



Act II.] FAZIO. 23 

Jkl. * Oh yes, my lord, oh yes;' the tale did run 
That thou and I did love : so ran the tale. 

* That thou and I should have been wed— the tale 

* Ran so, my lorc^'Oh memory, memory, memory ! 
It is a bitter pleasure, but tis pleasure. 

Faz, A pleasure, lady ! why then cast me off 
Like an indifferent weedf* with icy scorn 
Why choke the blossom that but woo'd thy sunshine? 

Aid. Ay, what an easy robe is scorn to wear ! 
Tis but to wrinkle up the level brow, 
To arch the pliant eyelash, and freeze up 
The passionless and placid orb within — 
Castelli! oh Castelli ! 

Faz. Who was he, lady ? 

'Aid. One, my good lord, I loved most fondly, 
fatally. 

* Faz. Then thou didst love ? love, Aldabella, truly, 

* Fervently fondly ? but what's that to me ? 

Aid. * Oh yes, my lord, he was a noble gentleman;' 
Thou know'st him by his title, conde d'Orsoa : 
My nearest kinsman, my good uncle ; I, 
Knowing our passionate and fanciful nature. 
To his sage counsels fetter'd my wild will. 
Proud was he of me, deem'd me a fit mate 
For highest princes ; and his honest flatteries 
So pamper'd me, the fatal duteousness ^ 
So grew upon me. Fazio, dost thou think 
My colour wither'd since we parted ? gleam 
Mine eyes as they were wont ? or doth the outside 
Still wear a lying smooth indifference, 
W^hile the unseen heart is haggard wan with wo ? 

Faz. Is't possible ? and did'st thou love me, lady ? 
Though it be joy vain and unprofitable 
As is the sunshine to a dead man's eyes, 

* Pleasureless from his impotence of pleasure,' 
Tell me and truly — 

Aid. *My grave sir confessor; 
< On with thy hood and cowl. So thou wouldst hear 

* Of pining days and discontented nights ; 



24 FAZIO. [Milman. 

* Ay me's and doleful airs to my sad lute.' 
Fazio, they suffer most who utter least. 
Heaven, what a babbling traitor is the tongue ! 
Would not the air freeze up such sinful sound? 
Oh no, thou heard'st it not. Ay nre ! and thou, 
I know, wilt surfeit the coarse common ear 

With the proud Aldabella's fall. Betray me not y 
Be charier of her shame than Aldabella. 

{Fazio falls on his knees to her) 
My lord, my lord ! 'tis public here — no more— 
I'm staid for at my palace by the Arno, 
Farewell, my lord, farewell ! — betray me not : 
But never let me see her, Fazio, never. {exi(» 

Faz. {solus) Love me ! to suffering love me ! —why 
her love 
Might draw a brazen statue from its pedestal, 
And m^ke its yellow veins leap up with life. 

* Fair chastity, thou hast two juggling fiends 

* Caballing for thy jewel : one within, 

* And that's a mild and melting devil, love ; 

* Th' other without, and that's a fair rich gentleman^ 

* Giraldi Fazio : they're knit in a league. 

* And thou, thou snowy and unsociable virtue, 

* May'st lose no less a votaress from thy nunnery 

* Than the most beautiful proud Aldabella. 

* Had I been honest, 'twere indeed a fall ; 

* But now 'tis but a step down the declivity 
Bianca ! but Bianca ! bear me up, 

Bear me up, in the trammels of thy fondness 

Bind thou my slippery soul. . Wrong thee, Bianca ? 

Nay, nay, that's deep indeed ; fathomless deep 

In the black pit of infamy and sin : 

I am not so weary yet of the upper air. 

Wrong thee, Bianca? no, not for the earth ; 

Not for earth's brightest, not for Aldabella. [exit. 

Scene III — Palace of Fazio, 
Enter Fazio and Bianca. 
Faz, Dost thou love me, Bianca ? 



Act II.] FAZIO. 25 

Bian. There's a question 
For a philosopher! why, I've answer'd it 
For two long years; and, oh, for many more, 
It will not stick, upon my lips to answer thee. 

Faz. Thou'rt in the fashion, then. The court, 
Bianca, 
The ladies of the court, find me a fair gentleman ; 
Ay, and a dangerous wit too, that smites smartly, 

Bian. And thou believest it all ! 

Faz. Why, if the gallants, 
The lordly and frank spirits of the time, 
Troop around thee with gay rhymes on thy beauties. 
Tinkling their smooth and amorous flatteries, 
Shalt thou be then a solemn infidel? 

Bian. I shall not heed them ; my poor beauty needs 
Only one flatterer. 

Faz. Ay, but they'll press on thee. 
And force their music into thy deaf ears. 
Think ye, ye should be coy, and calm, and cold ? 

* Bian. Oh, no ! I fear me a discourteous laugh 

* Might be their guerdon for their lavish lying. 

* Faz. But if one trip upon your lip, or wind 

* Your fingers in his sportive hand, think ye 

* Ye could endure it ?' 

Bian, Faaio, thou wrong'st me 
With such dishonest questionings. My lord. 
There's such an awe in virtue, it can make 
The anger of a sleek smooth brow like mine 
Strike the hot libertine to dust before me. 
He'd dare to dally with a fire in his hand. 
Kiss ragged briars with his unholy lips. 
Ere with his rash assault attaint my honor. 

Faz. But if ye see me by a noble lady. 
Whispering as though she were my shrine, whereon 
I lay my odorous incense, and her beauty 
Grow riper, richer at my cherishing praise ; 
If she lean on me with a fond round arm. 
If her eye drink the light out of mine eyes. 
And if her lips drop sounds for my ear only ; 
3 



26 FAZIO. [Milman. 

Thou'lt arch thy moody brow, look at me gravely, 
With a pale anger on thy silent cheek. 
Tis out of keeping, 'tis not the court fashion— r 
We must forego this clinging and this clasping ; 
Be cold, and strange, and courteous to each other; 
And say, " how doth my lord?" *' how slept my lady?'* 
As though we dwelt at opposite ends o' the city. 

Biaii> What hath distemper'd thee ? this is un- 
natural ; 
Thou could'st not talk thus in thy steadfast senses. 
Fazio, thou hast seen Aldabella! 

Faz, Well, 
She is no basilisk ; there's no death in her eyes. 

Bian, Ay, Fazio, but there is; and more than 
death ; 
A death beyond the grave ; a death of sin ; 
A howling, hideous, and eternal death ; 
Death the flesh shrinks from. No, thou must not 

see her ! 
Nay, I'm imperative ;— thou'rt mine, and shalt not. 

Faz, Shalt not! dost think me a thick-blooded 
slave. 
To say " amen" unto thy positive "shalt not V* 
The hand upon a dial, only to point 
Just as your humorous ladyship choose to shine ^ 

Bian- Fazio, thou settest a fever in my brain ; 
My very lips burn, Fazio, at the thought : 
I had rather thou wert in thy winding-sheet 
Than that bad woman's arms ; I had rather grave- 
worms 
Were on thy lips than that bad woman's kisses. 

Faz, Howbeit, there is no blistering in their taste : 
There is no suffocation in those arms. 

Bian. Take heed; we are passionate; oar milk 
of love 
Doth turn to wormwood, and that's bitter drinking. 

* The fondest are most phrenetic : where the fire 

* Burneth intensest, there the inmate pale 

* Doth dread the broad and beaconing conflagration. 



Act II.] FAZIO. sr 

* If that ye cast us to the winds, the winds 

* Will give us their unruly restless nature ; 

' We whirl and whirl ; and where we settle, Fazio, 

* But he that ruleth the mad winds can know.' 
If ye do drive the love out of my soul, 

That is its motion, being, and its life, 

There'll be a conflict strange and horrible, 

Among all fearful and ill-visaged fiends. 

For the blank void; and their mad revel there 

Will make me — oh, I know not what— hate thee! 

Oh, no! I could not hate thee, Fazio: 

Nay, nay, my Fazio, 'tis not come to that ; 

* Mine arms, mine arms, shall say the next " shall 

not;" 

* I'll never startle more thy peevish ears, 

' But I'll speak to thee vvith my positive lips' 

(ki&sing- and rling-w^ to /ii?nj 
Faz> Oh, what a wild and wayward child am I! 
Like the hungry fool, tiiat in his moody fit 
Dash'd from his lips his last delicious morsel. 
I'll see her once, Bianca, and but once ; 
And then a rich and breatliing tale I'll tell her 
Of our full happiness. If she be angel, 
'Twill be a gleam of Paradise to her, 
And she'll smile at it one of those soft smiles, 
That makes the air seem sunny, blithe, and balmy. 
If she be devil — nay, but that's too ugly : 
The fancy doth rebel at it, and shrink 
As from a serpent in a knot of flowers. 
Devil and Aldabella! fy, they sound 
Like nightingales and screech-owls heard together. 
What! must I still have tears to kiss away } 
I will return — good night ! it is but once. 
See, thou'st the taste o' my lips now at our parting; 
And when we meet again, if they.be tainted. 
Thou Shalt — oh no, thou shalt not, canst not hate me. 

[exeunt. 



28 FAZIO. [Milman. 

Scene IV. — Palace of Aldabella, 

Enter Aldabella. 

jlld. My dainty bird doth hover round the lure, 
And 1 must hood him with a skilful hand : 
Rich and renown'd, he must be in my train, 
Or Florence will turn rebel to my beauty. 

Enter QhAViAy — Fazio behind. 
Oh, Clara, have ye been to the Ursulines ? 
What says my cousin, the kind lady abbess! 

Cla. She says, my lady, that to-morrow noon 
Noviciates are admitted;, but she wonders, 
My lady abbess wonders, and I too 
Wonder, my lady, what can make ye fancy 
Those damp and dingy cloisters. Oh, my lady! 
They'll make ye cut off all this fine dark hair; ^ 
Why, all the signiors in the court would quarrel. 
And cut each other's throats for a loose hair of it. 

Aid. Ay me ! what heeds it where I linger out 
Tlie remnant of my dark and despised life ? 
Clara, thou weariest me. 
Cla. Oh but, my lady, 
I saw their dress: it was so coarse and hard grain'd, 
I'm sure 'twould fret your ladyship's soft skin 
Like thorns and brambles; and besides, the make 

on't 
A vine dresser's wife at market looks more dainty. 
Aid. Then my tears will not stain it. Oh, 'tis 

rich enough 
For lean and haggard sorrow, {a/i/iearing- to fie?'' 

ceive Fazio — Exit Clara) Oh, my lord! 
You're timely come to take a long farewell. 
Our convent gates are rude, and black, and close; 

* Our Ursuline veils of such a jealous woof, 

* There must be piercing in those curious eyes, 

* Would know if the skin beneath be swai th or 

snowy.' 
Faz. A convent for the brilliant Aldabella! 



Act II.] FAZIO. 29 

The mirror of all rival lovelinesses, 
The karp to which all gay thoughts lightly dance, 
Mew'd in 4he drowsy silence of a cloister ! 
Aid. * Oh, what regards it, if a blind man lie 

* On a green lawn or on a steamy moor! 

* What heeds it to the dead and wither'd heart, 

* Whose faculty of rapture is grown sere, 

* Hath lost distinction between foul and fair, 

* Whether it house in gorgeous palaces, 

* Or 'mid wan graves and haggard signs of care !'* 
Oh, there's a grief, so with the threads of being 
Kavelled and twined, it sickens every sense : 
Then is the swinging and monotonous bell 
Musical as the rich harp heard by moonlight ; 
Then are the limbs insensible if they rest 

On the coarse pallet or the pulpy down. 

Faz. What mean ye, lady ? — thou bewilder'st me. 
What grief so wanton and luxurious 
Would choose the lady Aldabella's bosom 
To pillow on ? 

Aid. Oh, my lord, untold love — 
Kay, Fazio, gaze not on me so ; my tongue 
Can scarcely move for the fire within my cheeks — 
It cankereth, it consumeth, untold love. 
But if it burst its secret prison-house. 
And venture on the broad and public air. 
It leagueth with a busy fiend calTd shame ; 
And they both dog their game, till misery 
Fastens upon it with a viper's fang, 
And rings its being with its venomous coil. 

Faz Misery and thee ! — oh, 'tis unnatural ! — 
Oh, yoke thee to that thing of darkness, misery ! 
That ^thiop, that grim moor ! it were to couple 
The dove and kite within one loving leash. 

* It must not be ; nay, ye must be divorced. 

' ylld. Ah no, my lord! we are too deeply pledg'd. 

* Dost thou remember our old poet's* legend 

• Dante. 



30 FAZIO. [Milman. 

* Over hell gates — " hope comes not here ?" where 

hope 

* Comes not, is hell : and what have I to hope ? 

* Faz. What hast to hope ? — thou'rt strangely- 
beautiful.' 
Aid. Would'st thou leave flattery thy last ravish- 
ing sound 
Upon mine ears? 'tis kind, 'tis fatally kind. 

Faz, Oh, no! we must not part, we must not part. 
I came to tell thee something : what, I know not. 
I only know one word that should have been ; 

* And that — oh! if thy skin were seam'd with 

wrinkles, 

* If on thy cheek sate sallow hollowness, 

* If thy warm voice spake shrieking, harsh and shrill; 

* But to that breathing form, those ripe round lips, 

* Like a full parted cherry, those dark eyes, 

* Rich in such dewy langours!' I'll not say it 

Nay, nay, 'tis on me now ! poison's at work! 
Now listen to me, lady we must love. 

Aid. Love ! ay, my lord, as far as honesty. 

Faz. Honesty! 'tis a stale and musty phrase; 
At least at court : and why should we be traitors 
To the strong tyrant custom ? 

Aid. My lord Fazio— 
Oh, said I my lord Fazio? thou'lt betray me: 
The bride — the wife-^she that I mean — my lord. 
I am nor splenetic nor envious ; 
But 'tis a name I dare not trust my lips with. 

Faz. Bianca, oh Bianca is her name ; 
The mild Bianca, the soft fond Bianca. 
Oh to that name, e'en in the church of God, 
I pledged a solemn faith. 

Aid. Within that church 
Barren and solitary my sad name 
Shall sound, when the pale nun profess'd doth wed 
I'hat her cold bridegroom solitude : and yet — 
Her right — ere she had seen you, we had loved. 



Act III.] FAZIO. 31 

Faz. (franticly. ) Why should we dash the gob- 
let from our lips, 
Because the dregs may have a smack of bitter ? 
Why should that pale and clinging consequence 
Thrust itself ever 'twixt us and our joys r* 

* ^Id, My lord, 'tis well our convent walls are 

high, 

* And our grates massy ; else ye raging tigers 

* Might rush upon us simple maids unveil'd. 

• Faz. A veil! a veil ! why Florence will be dark 

* At noon-day ; or thy beauty will fire up, 

* By the contagion of its own bright lustre, 

* The dull dead flax to so intense a brilliance, 

* 'Twill look like one of those rich purple clouds 
' On the pavilion of the setting sun.' 

Jld. My lord, I've a poor banquet here within : 
Will't please ye taste it? 

Faz. Ay wine, wine! ay wine! 
I'll drown thee, thou officious preacher, here I 

(clasping' his forehead. J 
Wine, wine! [exeunt. 

END OF THE SECOND ACT. 



ACT III. 

Scene I — Palace of Fazio. 
BiANCA discovered. 
Bian, Not all the night, not all the long, long 
night. 
Not come to me! not send to me! not think on me! 
Like an unrighteous and unburied ghost, 
I wander up and down these long arcades. 
Oh, in our old poor narrow home, if haply < 

He linger'd late abroad, domestic things 
Close and familiar crowded all around me ; 

* The ticking ot the clock, the flapping motion 

• Of the green lattice, the gray curtains' folds. 



S2 FAZIO. [Milman. 

* The hangings of the bed myself had wrought. 

* Yea, e'en his black and iron crucibles 

* Were to me as my friends. But here, oh here, 

* Where all is coldly comfortlessly costly, 

* All strange, all new in uncouth gorgeousness, 

* Lotty and long, a wider space for misery — 

* E'en my own footsteps on these marble floors 

* Are unaccustom'd, unfamiliar sounds.' 
Oh, I am here so wearily miserable,' 
That I should welcome my apostate Fazio, 
Though he were fresh from Aldabella's arms* 
Her arms ! her viper coil ! I had forsworn 

That thought ; lest he should come, and find me 

mad. 
And so go back again, and I not know it. 

* Oh that I were a child to play with toys, 

* Fix my whole soul upon a cup and ball — 

* Oh any pitiful poor subterfuge, 

* A moment to distract my busy spirit 

* From its dark dalliance with that cursed image!' 
I have tried all: all vainly — now, but now 

I went in to my children. The first sounds 
They murmur'd in their evil dreaming sleep 
Was a faint mimicry of the name of father. 
I could not kiss them, my lips were so hot. 
The very household slaves are leagued against me, 
And do beset me with their wicked floutings, 
** Comes my lord home to night ?" — and when I say, 
•* I know not," iheir coarse pity makes my heart- 
strings 
Throb with the agony. 

Enter Piero. 
Well, what of my lord ? 
"*%ay, tell it with thy lips, not with thy visage. 
Thou raven, croak it out if it be evil: 
If it be good, I'll fall and worship thee : 

* 'Tis the office and the ministry of gods 

* To speak good tidings to distracted spirits.' 



Act III.] FAZIO. S3 

Pier. Last night my lord did feast — 

Bian. Speak it at once — 
Wiieie > where ? I'll wring it from thy lips. Where, 
where ? 

Pier. Lady, at the marchesa Aldabella's. 

Bian. Thou liest, false slave : 'twas at the ducal 
palace, 
'Twas at the arsenal with the officers, 
'Twas with the old rich senator — him, him, him. 
The man with a brief name ; 'twas gaming, dicing, 
Riotously drinking. ' Oh it was not there; 

* 'Twas any where but there — or if it was, 

* Why like a sly and creeping adder sting me 

* With thy black tidings? nay, nay, good my friend; 

* Here's money for those harsh intemperate words, 

* But he's not there : 'twas some one of the gallants 

* With dress and stature like my Fazio.' 
Thou wert mistaken: no, no; 'twas not Fazio. 

Pier. It grieves me much; but, lady, 'tis my fear 
Thou'lt find it but too true. 

Bian. Hence ! hence I avaunt. 
With thy cold courteous face * Thou see'st I'm 
■wretched. 

* Doth it content thee? gaze, gaze, gaze! perchance 

* Ye would behold the bare and bleeding heart, 

* With all its throbs, its agonies.' Oh Fazio! 
Oh Fazio! is her smile more sweet than mine ? 
Or her soul fonder ? ' Fazio, my lord Fazio ! 

* Before the face of man mine own, mine only; 

* Before the face of heaven Bianca's Fazio, 

* Not Aldabella's. Ah, that I should live 

* To question it!* now henceforth all our joys, 
Our delicate endearments, all are poison'd. 
Ay ! if he speak my name with his fond voice, 
It will be with the same tone that to her 

He murmur'd her's ; it 'twill be, or 'twill seem so. 
If he embrace me, 'twill be with those arms 
In which he folded her: and if he kiss me, 
He'll pause, and think which of the two is sweeter. 



34 FAZIO. [Milman 

Fier. Nay, good my lady, give not entertainment 
To snch sick fancies: think on lighter matters. 
I heard strange news abroad : the duke's in council, 
Debating on the death of old Bartolo, 
The gray lean usurer. He's been long abroad. 
And died, they think, 

Bian. Well, sir, and what of that r* 
And have I not the privilege of sorrow. 
Without a menial's staring eye upon mer 

* Who sent thee thus to charter my free thoughts, 

* And tell them where to shrink and where to pause ?* 
Officious slave, away ! (exit ) ha, vvhat said'st thou ? 
Bartolo's death ! and the duke m his council ! 

I'll rend him from her, though she wind around him 
Like the wine round the elm. * I'll pluck him off, 
'Though the life crack at parting.' No, no pause ; 

* For if there is, I shall be tame and timorous : 
'That milk-faced mercy will come whimpering to 

me, 
*And I shall sit and meekly, miserably 

* Weep o'er my wrongs. Ha! that her soul were 

fond 

* And fervent as mine own ! I would give worlds 

* To see her as he's rent and rack'd from her. 

* Oh, but she's cold; she cannot, will net feel. 
•It is but half revenge: her whole of sorrow 

* Will be a drop to my consummate agony.' 
Avvay, away : oh had I wings to waft me ! \_Exit, 

Scene II — Duke and his council. 

Duke. Tis passing strange, a man of such lean 
habits 
Wealth flowing to him in a steady currci.t, 
Winds wafting it unto him from all quarters. 
Through all his seventy toilsome years otlife. 
And yet his treasury so spare and meagre ; 
Signor Gonsalvo, were the voice that told us 
Less tried and trustv than thine own. our faith 



Act III.] FAZIO. 35 

Would be a rebel to such marvellous fact. 

Gon, Well may your highness misdoubt me, my- 
self 
Almost misdoubting mine own positive senses. 
No sign was there of outward violence, 
All in a state of orderly misery. 
No trace of secret inroad ? yet, my liege. 
The mountains of his wealth were puny molehills-, 
A few stray ducats ; piles indeed of parchments, 
Mortgages, deeds, and lawsuits heaped to the roof. 
Enough to serve the armies of all Tuscany 
At least for half a century with new drumheads. 

Aurio. Haply, my liege, he may have gone abroad, 
And borne his riches with him. 

Duke, Signer Aurio, 
That surmise flavors not of your known wisdom. 
His argosies encumber all our ports, 
His unsold bales rot in the crowded wharfs; 
The interest of a hundred usuries 
Lieth uncliam'd. Besides, he hath not left 
Our city for this twenty years : a flight 
So unprepared and wanton suits not well 
Your slow and heavy-laden usurer. 

Enter Antonio. 
Ant. My liege, a lady in the antechamber 
Boasts knowledge that concerns your this day's coun- 
cil. 
Duke. Admit her. 

Enter Bianca. 

How! what know'st thou of the death 
Of old Bartolo.^ be he dead in sooth? 
Or of his riches I 

Bian. The east side of the fountain. 
In the small garden of a lowly house. 
By the Franciscan convent, the green herbs 
Grow boon and freely, the manure is rich 
Around their roots : dig there, and you'll be wiser. 



36 FAZIO. [Milman. 

Duke. Who tenanted this house ? 

Bian. Giraldi Fazio. 
• Duke. What of his wealth ? 

Bian. There's one in Florence knows 
More secrets than beseems an honest man. 

Duke. And who is he ? 

Bian. Giraldi Fazio. 

Gon. My liege, I know him : tis the new sprung 
signior, 
This great philosopher. I ever doubted 
His vaunted manutactory of gold, 
Work'd by some strange machinery. 

Duke. Theodore, 
Search thou the garden that this woman speaks of. 
Captain Antonio, be't thy cliarge to attach 
With speed the person of this Fazio. 

Bian. f rushes forward to Antonio J You'll find 
him at the marchesa Aldabella's: 
Bring him away — no mercy, no delay, 
Kay, not an instant, not time for a kiss, 
A parting kiss, {aside.) Kow have I widow'd her. 
As she has widow'd me ! now come what will. 
Their curst entwining arms are riven asunder. 

Duke. And ihou, thou peremptory summoner! 
Most thirsty after justice ! speak, thy name.-* 

Bian. Bianca. 

Duke. Thy estate wedded or single > 

Bian. My lord — 

Duke. Give instant answer to the court. 

Bian. Oh, wedded, but most miserably single. 

Duke. Woman^ thou palterest with our dignity. 
Thy husband's name and quality ? why shakest thou. 
And draw'st the veil along thy moody brow, 
As thou too wert a murderess ? speak, and quickly. 

Bian. {faltering J Giraldi Fazio. 

Duke. Tis thy husband then. 
Woman, take heed, if, petulant and rash. 
Thou would'st abuse the righteous sword of law. 
That brightest in the armoury of man. 



Act III.] FAZIO. 37 

To a peevish instrument of thy light passion, 

* Or furtherance of some close and secret guilt :' 

Take heed, tis in the heaven atamp'd roll of sins, 

To bear false witness — Oh, but 'gainst thy husband. 

Thy bosom's lord, 'flesh of thy flesh ! to set 

The bloodhounds of the law upon his track! 

If thou speak'st true, stern justice will but blush 

To be so cheer'd upon her guilty prey. 

If it be false, thou givest to flagrant sin 

A heinous immortality. This deed 

Will chronicle thee, woman, to all ages 

In human guilt a portent and an era : 

Tis of those crimes, whose eminent fame hell joys at ; 

And the celestial angels, that look on it. 

Wish their keen, airy vision dim and narrow. 

Enter Theodore. 

Theo. My liege, e'en where she said, an unstripp'd 
corj)se 
Lay carelessly inearth'd, old weeds hung on it. 
Like those that old Bartolo wont to wear ; 
And uader the left rib a small stiletto. 
Rusted wiihin the pale and creeping flesh. 

Enter Antonio with Fazio. 

jint. My liege, the prisoner. 

Duke. * Thou'rt Giraldi Fazio.* 
Giraldi Fazio, thou stand'st here arraign*d 
That, with presumption, impious and accurst, 
Thou hast usurp'd God's high prerogative. 
Making thy fellow mortal's life and death 
Wait on thy moody and diseased passions ; 
That with a violent and untimely steel 
Hast set abroach the blood, that should have ebb'd 
In calm and natural current : to sum all 
In one wild name, a name the pale air freezes at, 
And every cheek of man sinks in with horror, 
Thou art a cold and midnight murderer. 
Faz, My liege, I do beseech thee, argue not, 
4 



38 FAZIO. [Milman* 

From the thick clogging of my clammy breath, 
Ought but a natural and instinctive dread 
Of such a bloody and ill-sounding title. 
My liege, I do beseech thee, whate'er reptile 
Hath cast this filthy slime of slander on me. 
Set him before me face to face : the fire 
Of my just anger shall burn up his heart, 
Make his lip drop, and powerless shuddering 
Creep o'er his noisome and corrupted limbs, 
Till the coarse lie choke in his wretched throat. 

Duke. Thou'rt bold. But know ye ought of old 
Bartolo ? 
Methinks, for innocence, thou'rt pale and tremulous : 
That name is to thee as a thunderclap ; 
But thou shalt have thy wish. Woman, stand forth : 
Nay, cast away thy veil. Look on her, Fazio. 

Faz. Bianca ! no, it is a horiid vision ! 
And, if I struggle, I shall wake, and find it 
A miscreated mockery of the brain. 
If thou'rt a fiend what hellish right hast thou 
To shroud thy leprous and fire-seamed visage 
In lovely lineaments, like my Pianca's 
If thou'rt indeed Bianca, thou wilt wear 
A ring I gave thee at our wedding time. 
In God's name do I bid thee hold it up ; 
And, if thou dost, I'll be a murderer, 
A slaughterer of whole hecatombs of men. 
So ye will rid me of the hideous sight. 

Duke. Giraldi Fazio, hear the court's award ; 
First, on thy evil-gotten wealth the state 
Setteth her solemn seal of confiscation ; 
And for thyself } 

Bian. {rushing forward) Oh, we'll be poor again ! 
Oh, I forgive thee ! we'll be poor and happy! 
So happy, the dull day shall be too short for us. 
She lov'd thee, that proud woman, for thy riches ; 
But thou canst tell why I love Fazio. 

Duke. And for thyself, tis in the code of heaven, 
Blood will have blood, the slayer for the slain. 



Act III.] FAZIO. 39 

Death is thy doom ; the public, daylight death. 
Thy body do we give unto the wheel. 
The Lord have mercy on thy sinful soul! 
Bian. Death ! death! I meant not that! ye mean 
not that! 

* What's all this waste and idle talk of murther i 

* He slay a man, with tender hands like his ? 

* With delicate mild soul .^ why, his own blood 

* Had startled him ? I've seen him pale and shudder- 

' ing 
' At the sad writhings of a trampled worm : 
' I've seen him brush off with a dainty hand 

* A bee that stung him. Oh, why wear ye thus 

* The garb and outward sanctity of law ? 

' What means that snow upon your reverend brows, 
' If that ye have no subtler apprehension 

* Of some inherent harmony in the nature 
' Of bloody criminal and bloody crime ? 

* Twere wise t' arraign the soft and silly lamb 

* Of slaughtering his butcher : ye might make it 

* As proper a murderer as my Fazio.' 

Duke. Woman, th' irrevocable breath of justice 
Wavers not: he must die. 
Bian. Die ! Fazio die ! 

* Ye gray and solemn murderers by charter ! 

* Ye ermined manslayers ! when the tale is rife 

* With blood and guilt, and deep and damning, oh, 

* Ye suck it in with cold insatiate thirst : 

* But to the plea of mercy ye are stones, 

* As deaf and hollow as the unbowell'd winds. 
*Oh ye smooth christians in your tones and looks, 
« But in your hearts as savage as the tawny 

* And misbelieving African ! ye profane, 

* Who say, " God bless him ! God deliver him !" 

* While ye are beckoning for the bloody axe, 

* To smite the unoffending head ! his head ! 

* My Fazio's head I the head this bosom cherished 

* With its first virgin fondness.' 

Duke. Fazio hear. 



40 FAZIO. [Milman. 

To-morrow's morning sun shall dawn upon thee: 

But when he setteth in his western couch, 

He finds thy place in this world void and vacant. 

Bian. To morrow morning ! not to-morrow mor- 
ning! 
The damning devils give a forced faint pause, 
If the bad soul but feebly catch at heaven. 
But ye, but ye, unshriven, unrecoiled. 
With all its ponderous mass of sins, hurl down 
The bare and shivering spirit. Oh, not to-morrow ! 

Duke. Woman, thou dost outstep all modesty : 
But for strong circumstance, that leagues with thee, 
We should contemn thee for a wild mad woman, 
Raving her wayward and unsettled fancies. 

Bian. Mad! ay, that it is ! ay, that it is! 

* Is't to be mad to speak, to move, to gaze, 

*But not know how, or why, or whence, or where } 

* To see that there are faces all around me, 

* Floating within a dim discolour'd haze, 

' Yet have distinction, vision, but for one } 
'To speak with rapid and continuous flow, 

* Yet know not how the unthought words start from 

me ?' 
Oh, I am mad, wildly, intensely mad. 

* Twas but last night the moon was at the full ;* 
And ye, and ye, the sovereign and the sage. 
The wisdom and the reverence of all Florence, 
E'en from a maniac's dim disjointed tale. 

Do calmly judge away the innocent life, 
The holy human life, the life God gave him. 

Duke. Giraldi Fazio, hast thou ought to plead 
Against the law, that with imperious hand 
Grasps at thy forfeit life ? 

Faz. My liege, this soul 
Rebels not, nay, repines not at thy sentence : 
Yet, oh 1 by all on earth, by all hereafter. 
All that hath cognizance o'er unseen deeds, 
Blood is a colour stranger to these hands. 
But there are crimes within me, detp and black. 



Act III.) FAZIO. 41 

That with their clamorous and tumultuous voices 
Shout at me, •* thou should'stdie,thy sins are deadly:'* 
Nor dare my oppressed heart return, " tis false." 

Bian. But I, I say, tis false ; he is not guilty : 
Not guilty unto death : I say he is not. 
God gave ye hearing, but ye will not hear ; 
God gave ye feeling, but ye will not feel ; 
God gave ye judgment, but ye falsely judge. 

Duke. Captain Antonio, guard thy prisoner. 
If it be true, blood is not on thy soul, 
Yet thou object'st not to the charge of robbery ? 

{Fazio bows) 
Thou dost not. Robbery, by the laws of Florence, 
Is sternly coded as a deadly crime : 
Therefore, 1 say again, Giraldi Fazio, 
The Lord have mercy on thy sinful soul. 

IThey follow. 

Bian. (seizing and detaining Aiirio.J 

* My lord ! my lord ! we have two babes at home — 

* They cannot speak yet ; but your name, my lord, 

* And they shall lisp it, ere they lisp mine own : 

* Ere that poor culprit's yonder, their own father's. 
' Befriend us, oh, befriend us ! 'tis a title 

* Heaven joys at, and the hard savage and earth 

* Doth break its sullen nature to delight in — 

* The destitute's sole friend. And thou pass too ! 
' Why, what a common liar was thy face, 

* That said the milk of mercv flow'd within thee! 

* Ye're all alike. Off! off! ye're all alike. 

[exeunt all but Fazio ^ the officer , and Bianca. 
Bian. (creeping to Fazio.) 
Thou wilt not spurn me, wilt not trample on me. 
Wilt let me touch thee; I, whose lips have slain 

thee. 
Oh, look not on me thus with that fond look ; 
Pamper me not, for long and living grief 
To prey upon. Oh, curse me, Fazio, 
Kill me with cursing : I am thin and feeble, 
A word will crush me; any thing but kindness. 



42 FAZIO. [Milman. 

Faz. Mine own Bianca ! I shall need too much 
mercy. 
Or ere to-morrow, to be merciless. 
It was not well, Bianca, in my guilt 
To cut me off, thus early, thus unripe: 
It will be bitter, when the axe falls on me, 
To think whose voice did summon it to its office. 
No more, no more of that: we all must die. 
Bianca, thou wilt love me when I'm dead : 
I wrong'd thee, but thou'lt love me when I'm dead. 

Bian. What, kiss me, kiss me, Fazio 1 *tis too 
much .- 
And these warm lips must be cold clay to-morrow. 

Jnt. Signior, we must part hence. 

Bian- What! tear me from him, 
When he has but a few short hours to give m€ ! 
Rob me of them ! ' he hath lain delicately :' 
Thou wilt not envy me the wretched ollice 
Of strewing the last pillow he shall lie on, 
Thou wilt not; nay, there's moisture in thine eye. 
Thou wilt not. 

jint. Lady, far as is the warrant 
Of my stern orders — 

Bian. Excellent youth ! heaven thank thee ! 
There's not another heart like thine in Florence. 
We shall not part, we shall not part, my Fazio. 
Oh, never, never, never — till to-morrow. 

Faz. (as he leads her out.) 
It was not with this cold and shaking hand 
I led thee virgin to the bridal altar. [Exeunt, 

ACT IV. 

Scene I. — A Prison. 

Fazio and Bianca. 
Faz. Let's talk of joy, Bianca : we'll deceive 
This present and this future, whose grim faces 
Stare at us with such deep and hideous blacknew: 



Act IV.] FAZIO. 43 

We'll fly to the past. Dost thou remember, love, 
Those gentle moonlights, when my fond guitar 
Was regular, as convent vesper hymn, 
Beneath thy lattice, sometimes the light dawn 
Came stealing on our voiceless intercourse. 
Soft in its gray and filmy atmosphere ? 

jBian. Oh yes, oh yes! there'll be a dawn tO' 
morrow 
Will steal upon us. Then, oh then 

Faz, Oh think not on't ! 
And thou remember'st too that beauteous evening 
Upon the Arno ; how we sail'd along, 
And laugh'd to see the stately towers of Florence 
Waver and dance in the blue depth beneath us. 
How carelessly thy unretiring hand 
Abandon'd its soft whiteness to my pressure ? 

Bian. Oh yes ! to-niorroiv evening, if tliou close 
Thy clasping hand, mine will not meet it then — 
Thou'lt only grasp the chill and senseless earth. 

Faz. Thou busy, sad remembrancer of evil ! 
How exquisitely happy have we two 
Sate in the dusky and discolour'd light. 
That flicker'J through our shaking lattice bars ! 
Our children at our feet, or on our laps. 
Warm in their breathing slumbers, or at play 
With rosy laughter on their cheeks ! oh God ! 
Bianca, such a flash of thought crost o'er me, 
I dare not speak it. 

Bian. Quick, my Fazio 
Quick, let me hav't; to-morrow thou'lt not speak it. 

Faz. Oh, what a life must theirs be, those poor 
innocents ! 
When they have grown up to a sense of sorrow. 
Oh, what a feast will they be for rude misery ! 
Honest men's boys and girls, whene'er they mingle, 
Will spurn them with the black and branded title, 
** The murderer's children." Infamy will pin 
That pestilent label on their backs ; the plague spot 
Will bloat and blister on them till their death-beds : 



44 FAZIO. [Milman. 

And if they beg, for beggars they must be, 

They'll drive them from their doors with' cruel 

jeers 
Upon my riches, villanously style them 
" The children of lord Fazio, the philosopher." 

Bian. To-morrow will the cry begin, to-morrow. 
It must not be, and I sit idle here. 
Fazio, there must be in tliis wide wide city 
Piercing and penetrating eyes for truth. 
Souls not too proud, too cold, too stern for mercy. 
I'll hunt them out, and swear them to our service, 
I'll raise up something — oh, I know not what. 
Shall boldly startle the rank air of Florence 
With proclamation of thy innocence. 
I'll raise the dead ! I'll conjure up the ghost 
Of that old rotten thing, Bartolo ; make it 
Cry out i'the market place, " thou did'st not slay 

him!" 
Farewell, farewell! if in the walls of Florence 
Be any thing like hope or comfort, Fazio, 
I'll clasp it with such strong and steadfast arms, 
I'll drag it to thy dungeon, * and make laugh 
* This silence with strange uncouth sounds of joy.' 



Scene II. — A street. 
Falsetto, ' Dandolo,' Philario. 

* Fal. Good signior Dandolo, here's a prodigal 

' waste 

* Of my fair speeches to the sage philosopher. 

* I counted on at least a two months' diet, 

* Besides stray boons of horses, rings, and jewels. 

* Dan. Oh, my Falsetto, a coat of my fashion 

* Come to the wheel ! it wrings my very heart, 

* To fancy how the seams will crack, or haply 

* The hangman will be seen in't! that I should live 

* To be purveyor of the modes to a hangman ! 



Act IV.] FAZIO. 45 

Enter Bianca. 

Bia7i. They pass by me on the other side of the 
street ; 
They spurn me from their doors; they load the air 
With curses that are flung on me : the palace, 

* The ducal palace, that should aye be open 

* To voice ot the distress'd, as is God's heaven, 

* Is ring'd around with grim and armed savages, 
•That with their angry weapons smite me back, 

* As though I came with fire in my hand, to burn 

* The royal walls:' the children in the streets 
Break off their noisy games to hoot at me; 

* And the dogs from the porches howl me on,' 

But here's a succour, {to Falsetto.) Oh, good sir, 

thy friend, 
The man thou feasted'st with but yesterday. 
He to whose motion thou wast a true shadow, 
Whose hand rain'd gifts upon thee ; he I mean, 
Fazio, the bounteous, free, and liberal Fazio; 
He's wrongfully accused, wrongfully doom'd. 
I swear to thee 'tis wrongfully. Oh, sir. 
An eloquent honey dropping tongue like thine, 
How would it garnish up his innocence. 
Till justice would grow amorous and embrace it! 

FaL Sweet lady, thou o'ervaluest my poor pow- 
ers . 
Any thing in reason to win so much loveliness 
To smile on me. But this were wild and futile. 

Bian. In reason ? 'tis to save a human life. 
Is not that in the spacious realm of reason ? 
Kind sir, there's not a prayer will mount hereafter 
Heavenward fi om us or our poor children's lips, 
Bui in it thy dear name will rise embalm'd: 

* And prayers have power to cancel many a sin, 

* That clogs and flaws our coarse and corrupt na- 

ture.' 
F'aL Methinks, good Dandolo, 'tis the hour we 
owe 



46 FAZIO. [Milman. 

Attendance at the lady Portia's toilette. 
Any commission in our way, fair lady ? 

^ Dan. Oh yes! T'm ever indispensable there 

* As is her looking glass.' 

Bian. Riotous madness! 
To waste a breath {de(ai?iing them) upon such thin- 
blown bubbles ! 
Why thou did'st cling to him but yesterday. 
As 'twere a danger of thy life to part from him : 

* Did'st swear it was a sin in providence 

* He was not born a prince, {to Dandolo.) Anil thou 

* sir, thou — 

* Chains, sir, in May — it is a heavy wear ; 

* Hard and unseemly, a rude weight of iron.' 
Faugh ! cast ye off this shape and skin of men : 
Ye stain it, ye pollute it: be the reptiles 

Ye are. (to Philario.) And thou, sir, I know in whose 

porch. 
He hired thee to troll out thy fulsome ditties : 
I know whose dainty ears were last night banqueted 
With the false harlotry of thy rich airs, 

Phih I do beseech thee, lady, judge me not 
So harshly. In the state, heaven knows I'm power- 
less : 
I could remove yon palace walls, as soon 
As alter his sad doom. But if to visit him, 
To tend him with a soft officious zeal, 

* Waft the mild magic of mine art around him, 

* Making the chill and lazy dungeon air 

*More smooth, more gentle to the trammell'd 

breathing :' 
All that I can I will, to make his misery 
Slide from him light and airily. 

Bian. Wilt thou ? 
Why then there's hope the devil hath not all Flo- 
rence. 
Go, go ! I cannot point thee out the way : 
Mine eyes are cloudy ; it is the first rain 



Act IV.] FAZIO. 47 

Hath dewed them, since— since when I cannot tell 

thee. , 

Go go ! (exit.) One effort more ; and if I fail — 
But by the imbred and instinctive tenderness 
That mingles with the life of womanhood, 
I cannot fail: and then, thou grim to morrow, 
I'll meet thee with a bold and unblench'd ivont.[exit. 

Scene llh-^Falace of Mdabella. 
Enter Aldabella. 

Jld. Fazio in prison ! Fazio doom'd to die ! 
I was too hasty ; should have fled, and bashfully 
Beckon'd him after; lured him, not seized on him. 
Proud Aldabella a poor robber's paramour ! 
Oh it sounds dismal ! Florence must not hear it ; 
And sooth his time is brief to tlescant on it. 

{ta BiANCA, tvho enters.) 
And who art thou thus usherless and unbidden 
Scarest my privacy .-* 

Bian. {aside.) I must not speak yet ; 
For if I do, a curse will clog my utterance. 

Aid. Nay, stand not with thy pale lips quivering 
nothings ; 
Speak out, and freely. 

Bian. Lady there is one — 
Fie, upon this choking in my throat ; 
One thou didst love, Giraldi Fazio ; 
One who loved thee, Giraldi Fazio. 
He's doom'd to die, to die to morrow morning, 
And lo ! 'tis eve already ! 

J Id. He is doom'd } 
Why then the man must die. 

Bian. Nay, gentle lady, 
Thou'rt high-born, rich, and beautiful: the princes, 
The prime of Florence wait upon thy smiles, 
* Like sunflowers on the golden light they love, 



48 FAZIO. [Milman. 

Thy lips have such sweet melody, 'tis hung upon 
Till silence is an agony. Did it plead 
For one condemn'd, but oli most innocent, 
'Twould be a music th' air would fall in love with, 
And never let it die, till it had won 
Its honest purpose. 

Aid. What a wanton waste 
Of idle praise is here ! 

Bian. Nay think, oh think. 
What 'tis to give again a forfeit life : 
Ay, such a life as Fazio's! frown not on me : 
Thou think'st that he's a murderer : 'tis all false ; 
A trick of fortune, fancifully cruel. 
To cheat the world of such a life as Fazio's. 

Aid. Frivolous and weak : I could not if I would. 

Bian. Nay, but I'll lure thee with so rich a boon — 
Hear, hear, and thou art won. If thou dost save him, 
It is but just he shoul'd be saved for thee, 
I give him thee — Bianca — I, his wife: 
I pardon all that has been, all that may be: 
Oh I will be thy handmaid ; be so patient. 
Calmly, contendly, and sadly patient ; 
And if ye see a pale or envious motion 
Upon my cheek, a quivering on my lips, 
Like to complaint, then strike him dead before me. 
Thou shalt enjoy all ; all that I enjoyed ; 
His love, his life, his "sense, his soul be thine; 
And I will bless thee, in my misery bless thee. 

Aid. What mist is on thy wild and wandering 
eyes? 
Know'st thou to whom and where thou play'st the 

raver ? 
I, Aldabella, whom the amorous homage 
Of rival lords and princes stirs no more. 
Than the light passing of the common air. 
I, Aldabella, when my voice might make 
Thrones render up their stateliest to my service, 
Stoop to the sordid sweepings of a prison .' 



Act IV.] FAZIO. 49 

Bian. Proud-lipp'd woman, earth's most gorgeous 
sovereigns 
Were worthless of my Fazio! foolish woman, 
Thou cast'st a jewel off! the proudest lord 
That ever revell'd in thy unchaste arms, 
Was a swarth galley-slave to Fazio. 

* Ah me ! me i me ! e'n I his lawful wife 

* Know'st not more truly, certainly than thou. 

* Hadst thou lov'd him, I had pardon'd, pitied thee: 

* We two had sate, all coldly, palely sad ; 

* Dropping, like statues on a fountain side, 

* A pure, a silent, and eternal dew. 

* Hadst thou outwept me, I had lov'd thee for't; 
'And that were easy, for I'm stony here. {/lutting 

her hand to her eyes.)* 

Aid. Ho there ! to th' hospital for the lunatics, 
Fetch succor for this poor distrest 

Bian. What said I > 
Oh pardon me, I came not to upbraid thee. 
'Think, think, I'll whisper it, I'll not betray thee ; 

* The air's a tell tale, and the walls are listeners :' 
Think what a change ! last night within thy chamber; 
I'll not say m thy arms ; for that displeases thee, 
And sickens me to utter, and to night 

' Upon a prison pallet, straw, hard straw ; 

* For eastern perfumes, the rank noisome air ; 

* For gentle harpings, shrilly chanking charms : 
' Nay, turn not off: the worst is yet to come. 

' To-morrow at his waking, for thy face, 
'Languidly lovingly down drooping o'er him, 

* The scarr'd and haggard executioner.' 

Aid. (turning away.) There is a dizzy trembling 
in mine eye ; 
But I must dry the foolish dew for shame. 
Well, what is it to me ? I slew him not ; 
Nay, nor denounced him to the judgment-seat. 
I but debase myself to lend free hearing 
To such coarse fancies. I must hence : to-night 
I feast the lords of Florence. \_Exit. 

5 



50 FAZIO. [Milman. 

Bian. They're all lies ; 

* Things done within some far and distant planet, 

* Or offscum of some dreamy poet's brain,' 

All tales of human goodness. Oc they're legends 
Left us of some good old forgotten-time. 
' Ere harlotry became a queenly sin, 

* And housed in palaces. Oh, earth's so crowded 

* With vice, that if strange virtue stray abroad, 

* They hoot it from them like a thing accurst.' 
Fazio, my Fazio! but we'll laugh at them : 
We will not stay upon their wicked soil, 

E'en though they sue us, not to die and leave them. 

lExit. 



Scene V — Fazio's House- 
Enter BlANCA. 

* Bian. Ay, what a fierce and frantic coil is here, 

* Because the sun must shine on one man less ! 

* I'm sick and weary; my feet drag along. 

* Why must I trail, like a scotch'd serpent, hither ? 

* Here, to this house, where all things breathe of 

Fazio? 

* The air tastes of him, the walls whisper of him, 

* Oh, I'll to bed ! to bed ! what find I there ? 

* Fazio, my fond, my gentle, fervent Fazio ? 

* No ! cold stones are his couch, harsh iron bars 

* Curtain his slumbers. Oh, no, no, I have it — 

* He is in Aldabella's arms. Out on't ! 

* Fie, fie ! that's rank, that's noisome ! I remember, 

* Our children ; ay, my children — Fazio's children. 

* 'Twas my thoughts' burthen as I came along, 

* Were it not wise to bear them off with us 

* Away from this cold world? why should be bred 

up 

* More sinners for the devil to prey upon ? 

* There's one a boy, some strumpet will enlace him> 

* And make him wear her loathsome livery. 

* The other a girl ; if she be ill, sh«'ll sink 



Act v.] FAZIO. 51 

* Spotted to death ; she'll be an Aldabella : 

* If she be chaste, she'll be a wretch like me, 

* A jealous wretch, a frantic, guilty wretch. 

* No, no ; they must not live, they must not live ! 

\Exit into a chamber. 

* (After a fiause she returns.) It will not be, it will 

not be ; they 'woke 

* As though e'en in their sleep they felt my pre- 

sence ; 

* And then they smiled upon me fondly, playfully, 

* And stretch'd their rosy fingers to sport with me: 

* The boy did arch his eyebrow's so like Fazio, 

* Though my soul wished that God would take them 

to him, 

* That they were scaped this miserable world, 

* I could but kiss them; and, when I had kiss'd them, 

* I could as soon have leap'd up to the moon 

* As speck'd or soil'd their alabaster skins. 

* Wild that I am: lake them t' another world ! 
' As though I, .1 my husband's murderess, 

* In the dread separation of the dead, 

* Should meet again those spotless innocents! 
*Oh happy they ! they will but know to-morrow 

* By the renewal of the soft warm daylight. {Exit 

END OF THE FOURTH ACT. 



ACT V. 

Scene I — A street — morning tivilight, 
*'Enter Bianca. 

*Bian. Where have I been ? I have not been at rest 

* There's yet the stir of motion in my limbs. 

* Oh I remember — twas a hideous strife 

* Within my brain. I felt that all was hopeless, 

* Yet would not credit it ; and I set forth 

* To tell my Fazio so, and dai'ed not front him 



52 FAZIO. [Milman. 

* With such cold comfort. Then a mist came o'er 

me, 

* And something drove me on, and on, and on, 

* Sireet after street, each bhicker than the other, 

* And a blue axe did shimmer through the gloom — 

* Its fiery edge did waver to and fro ; 

•And there were infants' voices, faint and failing, 
' That panted after me. I knew 1 fled them ; 

* Yet could not choose but fly. And then, oh then, 

* I gazed and gazed upon the starless darkness, 

* And blest it in my soul, for it was deeply 

* And beautifully black — no speck of light; 

* And 1 had feverish and fantastic hopes, 

* That it would last for ever, nor give place 

* To th' horrible to morrow. Ha ! tis there ! 

* Tis the gray morning light aches in mine eyes : 

* It is that morrow. Ho ! look out, look out ! 

* With what a hateful and unwanton swiftness 

* It scares my comfortable darkness from me ! 

* Fool that I am ! I've lost the few brief hours 

* Yet left me of my Fazio. Oh, away ! 

* Away to him ! away ! {Exit* 

Scene II. — The prison — totally dark, excejit a lamfi% 

Fazio ana Philario discovered. 

Faz. I thank thee : 'twas a melancholy hymn ; 
But soft and soothing as the gale of eve. 
The gale, whose flower-sweet breath no more shall 
pass o'er me, 

* Oh, what a gentle ministrant is music 

* To piety ; to mild, to penitent piety ! 

' Oh it gives plumage to the tardy prayer, 

* That lingers in our lazy earthly air, 

* And melts with it to heaven.' To die, 'tis dreary ; 
To die a villain's death, that's yet a pang. 

But it must down : I have so steep'd my soul 
In the bitter ashes of true penitence, 



Act v.] FAZIO. 53 

That they have put on a delicious savour. 
And all is halcyon quiet, all within. 
Bianca ! where is she ? why comes she not ? 
Yet I do almost wish her not to come, 
Lest she a.^ain enamour me of lite. 

Phil. Hast thou no charge to her, no fond bequest •* 
It shall lose little by my bearing it. 

Faz. Oh yes, oh yes ! I have her picture here ; 
That I had seen it in one hour of my life. 
In Aldabella's arms had it looked on me, 
I should have had one sin less to repent of. 
I'm loth the coarse and vulgar executioner 
Should handle it with his foul gripe, or pass 
His ribald jests upon it. Give it her. 

{With the fiicture he draws out some gold^ on 
which he looks with great apjiarent me- 
lancholy. 

Phil. And this too, sir? 

Faz. Oh, touch it not, Philario! 
Oh, touch it not! 'tis venomous, 'tis viperous! 
If there be bottomless sea, unfathom'd pit 
In earth's black womb — oh, plunge it, plunge it deep. 
Deep, dark ! or if a devil be abroad. 
Give it to him, to bear it whence it came, 
To its own native hell. Oh no, no, no! 
He must not have it; for with it he'll betray 
More men, more noble spirits than Lucifer 
Drew down from heaven. This yellow pestilence 
Laid waste my Eden ; made a gaudy bird of me. 
For soft temptation's silken nets to snare. 
It crept in to us, sin came with it, misery 
Dogg'd its foul footsteps, ever-deep'ning sin. 
And ever-dark'ning misery. Philario, 
Away with it! away! {takes the fiicture.) here's 

fairer gazing. 
Thou wouldst not think these smooth and smiling 

lips 
Could speak away a life, a husband's life. 
Yet ah ! I led the way to sin, I wrong'd her : 
5* 



54 FAZIO. [Milman. 

Yet, heaven be witness, though I wrongM her, loved 

her. 
E'en in my heart of heart. 

Enter Bianca. 

Bian. Who's that, Bianca, 
That's lov'd so deeply ? Fazio, Fazio, Fazio — 
It is that morrow! 

Faz. Nay, look cheerins^ly, 
It may be God doth punish in this world 
To spare herea£ter. 

Bian. Fazio, set me loose ! 
Thou clasp'st thy murdress. 

Faz. No, it is my love. 
My wife, my children's mother! pardon me, 

Bianca ; but thy children I'll not see them : 

For on the wax of a soft infant's memory 
Things horrible sink deep and sternly settle. 
I would not have them in their afier days. 
Cherish the image of their wretched father 
In the cold darkness of a prison-house. 
Oh, if they ask thee of their father, tell them 
That he is dead, but say not how. 

Bian. No, no ; 
Not tell them, that their mother murder'd him. 

Faz. But are they well, my love? 

Bian. What, had I freed them 
From this drear villain's earth, sent them before us. 
Lest we should miss them in another world, 
' And so be fetter'd by a cold regret 
' Of this sad sunshine ?" 

Faz. Oh, thou hast not been 
So wild a rebel to the will of God ! 
If that thou hast, 'twill make my passionate arms, 
That ring thee round so fondly, drop off from thee, 
Like sere and wither'd ivy ; make my farewell 
Spoken in such suffocate and distemper'd tone, 
''Twill sound more like 

Bian, They live ! thank God, they live I 



Act V. FAZIO. 55 

I should not rack thee with such fantasies : 

But there have been such hideous things around me, 

Some whispering me, some dragging me ; I've felt 

Not half a moment's calm since last we parted, 

So exquisite, so gentle, as this now ; 

I could sleep on thy bosom, Fazio. 

E7iier Antonio. 

^nt. Prisoner, 
Thine hour is come. 

Bian. It is not morning yet; 
Where is the twilight that should usher it? 
Where is the sun, that should come golden on? 
lU-favor'd liar, to come prate of morning. 
With torchlight in thy hand to scare the darkness. 

^nt. Thou dost forget ; day's light ne'er pierceth 
here, 
The sun hath kindled up the open air. 

Bian. I say 'tis but an hour since it was evening, 
A dreary, measureless, and mournful hour, 
Yet but an hour. 
^■Faz. I will obey thee, officer! 

* Yet but a word ; Bianca, 'tis a strange one ; 

* Canst thou endure it, dearest? Aldabella 

• Bian. Curse her ! 

*• Faz. Peace, peace! 'tis dangerous ! sinners' curses 

* Pluck them down tenfold from the angry heavens 
' Upon the curser's head. Beseech thee, peace! 

* Forgive her; for thy Fazio's sake, forgive her.' 

Bian. * Any thing not to think on her.' Not yet 
They shall not kill thee, by my faith they shall not: 
I'll clasp mine arms so closely round thy neck. 
That the red axe shall hew them off, ere shred 
A hair of thee: I will so mingle with thee. 
That they shall strike at random, and perchance 
Set me free first. 

( The bell sounds^ her grasfi relaxes, and she 
stands tor/iid.J 



56 FAZIO. [Milman. 

Faz. (Kissing her^ ivhich she does not seem to be 
conscious of .) Farewell, farewell, farewell ! 
She does not feel, she does not feel ! thank heaven, 
She does not feel her Fazio's last, last kiss ! 
One other ! cold as stone — sweet, sweet as roses. 

\_Exit^ 
Bian. (slowly recovering. J Gone, gone ! he is not 
air yet, not thin spirit ! 

• He should not glide away, he is not guilty. 

* Ye murder and not execute.' Not guilty. 

[ Exit fo llo wed b y Ph ilario . 

Scene III i magnijlcent ap.artment in the fialace 

of Aldabella — every afifiearance of a ball pro- 
longed till morning. 

Duke, Lords, Falsetto, 'Dandolo,' and 
Aldabella. 

Duke. 'Tis late, 'tis late ; the yellow morning light 
Streams in upon our sick and waning lamps. 
It was a jocund night; but good, my friends, 
The sun reproves our lingering revelry; 
And angry at our scorning of his state. 
Will shine the slumber from our heavy eyes. 

Gon. There's one, my liege, will sleep more calm 
than we : 
But now I heard the bell with iron tongue 
Speak out unto the still and solemn air 
The death-stroke of the murderer Fazio. 

Duke. So, lady, fare thee well : our gentlest thanks 
For thy fair entertaining. Ha ! what's here f 

Enter Bi as c a, followed by Philario. 
Bian. Ha ! ye've been dancing, dancing — so have I : 
But mine was heavy music, slow and solemn — 
A bell, a bell : my thick blood roll'd to it. 
My heart swung to and fro, a dull deep motion. 

{seeing Aldabella.) 
'Tis thou, 'tis thou ! I came to tell thee something. 



Act v.] FAZIO. $7 

jlld. {alarmed and shrieking.) Aye me! aye me! 

Bian. Nay, shrink not — I'll not kill thee: 
For if I do, I know, in the other world, 
Thou'lt shoot between me and my richest joys. 
Thou shalt stay here — I'll have him there — all — all 
of him 

Duke. What means the wild-hair'd maniac? 

Bian. {moving him aside.) By and by — 

to Aldabella. 
I tell thee, that warm cheek thy lips did stray on 
But yesternight, 'tis cold and colourless: 
' The breath that stirr'd among thy jetty locks, 

* That was such incense to thee — it is fled: 

* The voice, that call'd thee then, his soul of soul — 

* I know it, 'twas his favorite phrase of love, 

* I've heard it many a time myself; 'twas rapturous, 

* That mild, that musical voice is dumb and frozen:' 
The neck whereon thine arms did hang so tenderly, 
There's blood upon it, blood ; I tell thee, blood. 
Dost thou hear that ? is thy brain fire to hear it.^ 
Mine is, mine is, mine is. 

Duke. 'Tis Fazio's wife. 

Bian. It is not Fazio's wife. Have the dead wives .^ 
Ay, ay, my liege, and I know thee, and well ; 
Thou art the rich robed minister of the laws. 
Fine laws ! rare laws ! most equitable laws ! 
Who robs his neighbor of his yellow dust. 
Or his bright sparkling stones, or such gay trash; 
Oh, he must die, die for the public good. 
And if one steal a husband from his wife. 
Do dive into her heart for its best treasure. 
Do rend asunder whom heaven link'd in one; 
Oh, ihey are meek, and merciful, and milky; 
*Tis a trick of human frailty. ' Oh, fine laws! 

* Rare laws! most equitable laws!' 

Duke. Poor wretcli, 
Who is it thus hath wrong'd thee } 

* Bian {to the Duke.) Come thou here. 
{ The others crowd around her — she says to Faltetto) 



58 FAZIO. fMilman. 

* Get back, get back : the God that thou adored'st, 

* Thy god is dead, thou pitiful idolater. 

{To Dandolo^ shoiving her dress) 
*I know they are coarse and tatter'd. Get thee back.' 
{to the Duke.) 

I tell thee, that rich woman — she my liege, 

I'll speak anon ; my lips do cling together: 

'I here's dust about my tongue ; I cannot move it. 

Duke. Ho, there ! some wine ! 

Bian. Thank thee, 'tis moist ; I thank thee ! 
{As she raises the goblet to her lijis, she sees Aldabelta 

and dashes it away.) 
Her lips have been upon it. I'll have none on't. 

Aid. My liege, thou wilt not hearken to the tale 
Of a mad woman, venting her sick fancies 
Upon a lady of my state and honor ? 

*■ Duke. Lady, there is one state alone, that holds 

* Above the range of plumed and restless justice 

* Her throned majesty, the state of virtue. 

* Poor sad distraught speak on/ 

Bian. ' I am not mad, 
•Thou smooth lipp'd slanderer! I have been mad, 
•And then my words came vague, and loose, and 

' broken ; 
•But now there's mode and measure in my speech.' 
I'll hold my brain: and then I'll tell my tale 
Simply and clearly. Fazio, my poor Fazio 
He murdered not, he found Bartolo dead. 
The wealth did shine in his eyes and he was dazzled. 
And when that he was gaily gilded up, 
She, she, I say, nay, keep away from her. 
For she hath witchcraft all around her, she 
Did take him to her chamber. Fie, my liege! 
What should my husband in her chamber? then. 
Ay then, I madden'd. Hark, hark, hark ! the bell. 
The bell that I set knoUing — hark ! here, here, 
Massy and cold it strikes. Here, here, 

C clasping her forehead. J 

Gon. Sad woman ! 
Tear not so piteously thy disorder'd hair! 

Bian, I do not tear my hair : there should be pain 



Act v.] FAZIO. 59 

If that I did; but all my pain's within. 

{with her hand to her bosom.) 
It will not break, it will not break; 'tis iron. 

Duke. If this be true 

Phil. My liege, it is the tale 
That Fazio told me ere he died. 

Bian. Ay, sir. 
The dying lie not; he, a dying man. 
Lied not; and I, a dying woman, lie not: 
For I shall die, spite of this iron here. 

Buke. {to Aldabella.) There is confession in thy 
guilty cheeks. 
Thou high-born baseness; beautiful deformity ! 
Dishonor'd honor! how hast thou discredited 
All that doth fetter admiration's eye, 
And made us out of love with loveliness! 
I do condemn thee, woman, by the warrant 
Of this my ducal diadem, to put on thee 
The rigid convent vows: there bleach anew 
Thy sullied breast ; there temper thy rank blood; 
Lay ashes to thy soul ; swathe thy hot skin 
In sackcloth ; and God give thee length of days, 
T' atone, by this world's misery, this world's sin. 

\_Exit Aldabella. 

Bian. Bless thee, heaven bless thee ! yet it must 
not be; 
My Fazio said we must forgive her. Fazio 
Said so ; and all he said is best and wisest. 

Duke. She shall have her desert : aught more to 
ask of us? [liege, 

Bian. My children! thou'lt protect them. Oh my 
Make them not rich : let them be poor and honest. 

Duke. I will, I will. 

Bian. Why then 'tis time, 'tis time. 
And thou believ'st he is no murderer ^ 

{Duke bows assent.) 
Thou'lt lay me near him, and keep her away from us. 
It breaks, it breaks, it breaks! it is not iron. Idies. 

THE END OF FAZIO. 



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